Duo U & U

1. Koi no Vacance ("A Vacance of Love"): Their voices work quite well together. This particular song is quite good. The guitar work is sort of interesting and funny at the same time; the song itself musically reminds me of some Italian film soundtrack from the sixties or so.

2. Southpaw: Another very cute-sounding song.

3. Nagisa no: Another very good song with a nice beat to it.

4. Shiroi iro wa Koibito no iro ("White is My Lover's Color"): Absolutely fantastic harmonies on this folk-sounding song. Their two voices work perfectly together for this type of music especially. This is just one amazing-sounding song, and the translation shows it's a great song word-wise, too. This also happens to be on the Folk Songs cd, but this is a vastly superior version.

5. Osaka Rhapsody: This is a really cute, funny-sounding song, elements of things that sound like an Italian movie soundtrack, accodrian music, circus music and the two minature girls who sing on Mothra films and it all works, pretty much.

6. Matsu wa ("I'll Wait"): Another really cute song that their voices work well on. This is another song that is also on the Folk Songs cd, but sung by different people.

7. Samishii Nettaigyo ("Lonely Tropical Fish"): Another pretty good song with good harmonies.

8. Kakemeguru Seishun ("Youth That Runs About"): A pretty good, more rock-like song than many of the others.

9. Nagisa no Sindbad ("Sindbad of the Shores"): Another rock-like song that's cute.

10. Koi no Indian Ningyou ("Love's Indian Doll"): Another good song.

11. Suki yo Captain ("I Love You, Captain"): Another cute song where their harmonies work quite well.

12. Sentimetal Boy: This science-fictiony type song is really good.

13. Oatsuraemuki no Destiny ("The Ideal Destiny"): Yet another good song and harmonies.

14. Give Me Up: This one's ok, but at that it makes it the weakest song on the cd.

15. Jounetsu no Hana (Passion Flower): Another cute song, again a sort of sixties-rock mixed with something but I'm not sure exactly what. Pretty good.


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